Standard Artist Statement

Artist Statement – Brooke Shaden
Within the space of a square frame, I try to build a world that is undeniably separate from
the one we live in. What fascinates me about any artistic medium is that it can pull the viewer out
of a logical and common world, and place them within a space that is more alive. When I use a
square frame, I hope that the viewer will forget that they are looking at a photograph and instead
see an alternate reality, one that mixes painterly qualities with surrealism and fantasy. Why focus
on what the artistic medium is when the subject and concept are pulling us deeper and deeper
into a world that allows us to escape o ur reality in exchange for a fantasy? It is my goal in
photography to make beautiful that which others find disturbing, to take a simple concept (be it
birth, death, or something in between – life) and mold it into something complex and magnetic.
My photographs are meant to be read and analyzed. Symbolism is abundant in them, for
what makes an intricate story if not visuals that mean one thing but stand for another? I explore
death and surrealism through my photography in order to show that reality has intricate ties with
fantasy. Our world is not so different than the disturbing worlds I create within my frames. I
argue that my surrealistic images are even more representational of life because they contain
feelings and emotions that resonate with the viewers. Sometimes life does not have to be
photographed according to reality; instead, why not explore the depths of the mind and soul and
reach for something deeper than the reality that plagues us an d traps us daily? My edited
photographs are a far cry from the original image that comes out of the camera. I add texture to
them to give a feeling of grime and age, thus giving the photographs a timeless feeling. I often
play with the tones so th at the subject is highlighted and the scenery falls away in to slight
desaturation and abandonment. The real crux of my photography is portraiture; it is capturing the
emotion of a single instance in a life. Certainly they are all staged and planned and scrutinized
over, but they all hold some sort of dramatized emotion (a real emotion, almost unbearable to
feel) that resonates with the viewer.
I want my imagery to move beyond the realm of photography and instead m imic
paintings and alternate styles of art. I am not in love with any particular medium of art as much
as I am in love with visually representing the stories I have in my mind. It is this painterly quality
that I emulate, such as the use of brush strokes over my photographs, that I think gives my work
a unique touch. There is a particular feeling to all of my photographs, one that touches on the
juxtaposition of the real yet surreal, a fantasy and a dream yet riddled with reality.
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